ITV takes huge risk as boss confirms massive changes to Coronation Street and Emmerdale
metro.co.uk
Friday, February 20, 2026
More changes are ahead (Picture: ITV) Iain MacLeod, the Executive Producer for Continuing Drama at ITV, has spoken about the changes ahead for Coronation Street and Emmerdale. Everything changed for both soaps at the start of 2026, when they launched a new scheduling pattern. Emmerdale and Co...
Iain MacLeod, the Executive Producer for Continuing Drama at ITV, has spoken about the changes ahead for Coronation Street and Emmerdale.
Everything changed for both soaps at the start of 2026, when they launched a new scheduling pattern. Emmerdale and Corrie both air five days a week now, with Emmerdale being broadcasted at 8-8:30pm, and Coronation Street following after for half an hour.
To coincide with the new schedule, ITV aired a massive crossover event called Corriedale. It saw lives from Weatherfield and the Yorkshire Dales put in serious danger as they were involved in a multi-vehicle collision.
In a world where streaming platforms are announcing new shows every single day, it’s sometimes far more tempting to switch Netflix on and watch a crime drama than it is to tune into Coronation Street again.
It’s why the world of soapland needs to make changes as the years tick by in order to stay relevant. We’ve seen them do this by airing episodes on ITVX and YouTube first, but now even more altercations are on the way.
Iain MacLeod recently revealed that a production overhaul will eventually improve the visual quality fans see whenever they flick Emmerdale or Coronation Street on. The producer admitted that the changes have been somewhat inspired by the incredible way Corriedale was shot.
‘In terms of the look and feel of the shows, we’re in the midst of a big piece of work around evolving what they both look like’, he said in a chat with the This Is Media City podcast.
‘I want there to be a somewhat consistent visual feel between the soaps, so you know when you turn on Emmerdale or turn on Corrie, that it’s an ITV soap – without homogenising it too much.
‘But we’re updating all of our kit, basically, in terms of cameras and post-production infrastructure and all the rest of it. There might [also] be some news around shifting from HD slightly upwards, in terms of the resolution that we’re using.’
Iain went on to explain that he really wants Corrie and Emmerdale to have a similar feel to a show from a streaming service, like Squid Game on Netflix.
He added: ‘What we don’t want is to be left behind. If your mum’s now watching Squid Game on Netflix, you don’t want those viewers to turn on Corrie or turn on Emmerdale and it looks like a completely different century – or genre, even.
Should Coronation Street and Emmerdale change to look more like Netflix dramas?
Soaps Reporter Calli Kitson says…
I’m absolutely here for Coronation Street and Emmerdale making changes to stay relevant, but it’s important they don’t go overboard. At the heart of both of these shows are brilliant cast members who deliver outstanding performances in the middle of powerful storylines.
The changes need to act as a helping hand, not something that detracts from the drama and leaves the audience only focusing on how different the show looks.
I’m definitely not asking for them to have the same visual effects as a crime drama on Netflix, but it is imperative they make some changes to ensure they don’t get left behind.
When Corriedale aired, multiple people took to social media platforms to express how proud they are to be a soap fan. The episode looked stunning, and was a fantastic way of the genre saying ‘hey, look at what we can do’.
The changes need to happen slowly though, let’s not run before we can walk.
Deputy Soaps Editor Stephen Patterson says…
When it comes to making changes to the way soaps are made, I think it’s important that we don’t tamper with their appearance too much.
High end cameras and the upgrading of technology is to be expected and encouraged (the thought of Emmerdale one day in 4K, showcasing those countryside backdrops in glorious High Dynamic Range is mouth-watering) and experimental filming techniques are highly effective when used sparingly, as seen in Corrie’s recent flashforward and the Corriedale extravaganza, but I also feel it’s important to not dramatically alter the DNA of the genre.
I’d still like my soaps to look like soaps. These serials were originally envisioned as a slice of daily life for a respective community, reflecting real-life issues we all face and – while I get that the genre has evolved somewhat over the decades to incorporate more dramatic stories – strong, quality character-driven content is ultimately what remains its strength.
Regular moody lighting and special sound effects in your average episode would detract from such a thing and not only risk alienating longterm viewers but would ultimately feel very out of place in everyday scenes such as someone picking up a bacon bap at Roy’s or enjoying a pint in the Woolpack, or a having natter over a brew in the Rovers backroom (the latter often being the best scenes the genre has to offer).
But having said that, I do love when such things are employed in special episodes as you know you’re about to watch something memorable and exciting, so if bosses can replicate that vibe without losing the heart of soap in the process then I look forward to seeing what it is!
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What do you think?
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Keep the soaps the same
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They need to change to say relevant
‘We want to evolve our look so it retains some of the cinematic flavours that we saw in Corriedale recently.’
He also confirmed that the teams are looking at potentially creating digital-based spin-offs.
‘We’re talking about things like micro-dramas, vertical dramas. Is there any other parallel IP we can generate with a different set of characters, that feeds into and out of the main show?That will, we hope, engage a slightly younger audience and maybe drive those younger viewers into [the main soaps]?’, he pondered.
‘We’re exploring all kinds of options with that. The other one is, can we boil our 23-minute episodes down into a micro-drama? That’s proving more difficult, because a lot goes on in a soap!’
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