As the budding restaurateurs suffer 17th-century flashbacks, Jamie Campbell Bower – AKA Vecna in Stranger Things – saves director Chuck Russell’s remake from cheesy oblivion
Jamie Campbell Bower gave the standout performance as the big bad in the otherwise ho-hum fourth season of Stranger Things, and in this tawdry but fun occult-themed thriller, like Satan himself, he’s back to his same old scene-stealing tricks. Once again, he’s not the protagonist but a sinister figure first met literally in the shadows, making ominous pronouncements in that posh-boy accent. When finally revealed, he is dipping his chin and looking up with those uncannily blue eyes like a vogue dancer catching the spotlight. If he keeps at it with roles like this, he could be the Peter Cushing of modern horror, but with catwalk-queen hair, or the goth equivalent of the young Ralph Fiennes in his rent-a-villain era. What’s not to love?
When Campbell Bower’s creepy antiquities expert Alexander Babtiste isn’t around, though, Witchboard reverts to its cheap and doleful resting form, in which B- and C-list actors play doltish young people bewitched by a proto-Ouija board that summons the spirit of a 17th-century French witch (Antonia Desplat). Somehow, the board has found its way to today’s New Orleans, where main girl Emily (Madison Iseman) finds it in the forest while foraging for mushrooms with her hipster-chef boyfriend Christian (Aaron Dominguez). At the urging of Christian’s slinky ex-girlfriend, Brooke (Mel Jarnson), who crashes their party, Emily tries out the board, and is soon having flashbacks to a life she never lived.
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