My jaw was left agape by this rich, moving spinoff. Its two lead characters have the making of a classic comic double act
The Game of Thrones franchise has fruited again, like an abundant oak. Where’s left to go? A startling opening, in which a lumbering oaf takes a dump behind a tree, gives us a clue. Chronologically, A Knight of the Seven Kingdoms (Monday 19 January, 9pm, Sky Atlantic) sits between the juggernaut original and its courtly prequel, House of the Dragon. Tonally, it’s in a world of its own.
That oaf eventually gets a name: Dunk. Contrary to expectation, Dunk is a knight. Specifically, a “hedge knight”, a lower-status category whose kind cannot afford their keep and must sleep under trees. “Any knight can make a knight” we are reminded, by simply dubbing them. This lack of gatekeeping has resulted in a class system in which highborn valiants scorn their ignoble brethren. They are knights in name only, and only just. Of course, there’s nothing just about this.
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