The longtime friends and colleagues add weight to Joe Carnahan’s enjoyably boisterous Friday night crowdpleaser
January has long been a B-movie buffet for those exhausted by prestige awards bait, a month when Gerard Butler and Jason Statham are suddenly commanding wide releases and often No 1 mini-hits. But as the former’s apocalyptic sequel Greenland 2: Migration lingers in the top five and the latter’s action romp Shelter prepares to premiere, we find two more prominent stars – Oscar winners Ben Affleck and Matt Damon – resigned to the small screen instead.
In a non-Netflix world, a film like The Rip – flashy, action-heavy, led by two household names – should be available this weekend on the biggest high-format screens across the country. But then in that same world, at this particular time, it’s doubtful that a film like this would even get made, granted a budget that’s reportedly close to $100m, highly unusual for R-rated non-IP. The streamer was, in fact, so keen to get it made that it has briefly agreed to change its pay structure, allowing Affleck and Damon to bring across their profit-sharing Artists Equity rule, by which each member of the cast and crew gets a bonus if the film performs well. So, as with many films at this weird moment, it’s a take-what-you-can-get situation and while it would have been preferable to see a film like this, which looks and feels like it was made in 2002, on the big screen, the landscape has dictated that the small will have to do.
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