The Place, London
Intriguing works by Seirian Griffiths, Qi Song and Isadora D’Héloïsa explore in-between states in this month-long showcase of the future of dance
Each evening at the Place’s Resolution festival of new choreography showcases fresh green shoots and this particular triple bill of bright, idea-driven dance was united by intriguing concepts. Each piece is a consideration of in-between states, most outlandishly the standout, Interchange, a questing solo by Seirian Griffiths. In a particularly bureaucratic purgatory, the recently deceased Michael is informed, via a brisk yet personable voiceover from Sam Booth, that he has some excess baggage to process. The only way forward is to revisit the loves of his life, from his mother to fleeting relationships.
The setup, with its slightly overdone pastiche of muzak-accompanied admin hell, prompts a dance of not quite exorcism but certainly cleansing as Michael spins through his past. The occasionally galloping pace suggests the near-death notion of events flashing before your eyes, as Griffiths makes graceful yet quicksilver transitions between contained bouts of torment that are strikingly well acted and boosted by his own coiled compositions. The hip-hop stylings are featherlight, too, when he pivots with a headstand or practically levitates, his shadow like a chalked outline below.
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