‘I enjoy fame. It’s very exposing and raw – though you pay a price’: Addison Rae, the Guardian’s artist of the year

In just two years, Rae has gone from star TikTok dancer to being Grammy-nominated for best new artist. She reflects on her critically acclaimed debut and how she’s learning to reclaim and relinquish control

No one in pop has had a year like Addison Rae. She may not be the biggest star – that remains Taylor Swift – or even the most commercially successful breakout act. But the dreamy dance-pop haze of her debut album, Addison, made her into an artist’s artist, loved by the likes of Charli xcx and Lana Del Rey – the leftfield pop acts who paved the way for someone like her. Like a pre-Brat Charli, or perhaps Sky Ferreira, the 25-year-old is the pop connoisseur’s choice, justly earning comparisons to Del Rey, her fellow Louisiana girl Britney Spears and Ray of Light-era Madonna, while knowing her way around her R&B and Jersey club. She’s up for best new artist at next year’s Grammy awards – and with Addison and its knowingly anaesthetised single Headphones On placing in the Guardian’s top five albums and tracks of 2025 respectively, she’s our artist of the year.

So it’s crazy to flick back just two years to when Rae wasn’t just a flop, but a punchline. In 2023, she released her debut single Obsessed, a perfectly average Benny Blanco-produced single that attracted disproportionate hatred because Rae was then just a TikTok star whose breezy dance videos had made her the platform’s fifth most-followed figure. The song flopped. Five months later came the AR EP: featuring a Charli guest verse – she asked to feature on a leaked demo that she loved – it made Rae a cult favourite. Last summer, she returned the favour, guesting on a remix of Charli’s Von Dutch: “While you’re sitting in your dad’s basement … Got a lot to say about my debut!” Rae taunted.