Phillip Noyce’s political drama is a searing critique of American interventionism that feels all too pertinent today
Alden Pyle (Brendan Fraser) was a “quiet American”, says Thomas Fowler (Michael Caine) to a French policeman. “A friend,” he adds, as the lifeless corpse of Pyle stares back at him with a wretched expression.
This is the scene that opens Phillip Noyce’s Vietnam-set political drama before the film flashes back a few months earlier to 1952 Saigon, where Fowler, an ageing Englishman, lives leisurely as a journalist reporting on the first Indochina war. When Pyle, a young American aid worker advocating for US intervention, falls for Fowler’s 20-year-old Vietnamese lover, Phượng (Đỗ Thị Hải Yến), the jaded reporter’s tranquil existence begins to unravel.
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