DanceEast, Ipswich
This colourful quest story is stylishly simplified for a young audience and an energetic cast of just four, choreographed by Luca Silvestrini to a melodious Frank Moon score
One of the things that’s so successful about this all-ages version of The Magic Flute is the way it effortlessly synthesises all of its ingredients – dance, text, operatic arias and a dreamy-folky reinterpretation of Mozart’s score – in service to the story. And that famously fantastically convoluted narrative is presented clearly enough for everyone to understand (recommended age is five-plus, and it’s delightful for grownups too).
Papageno the bird catcher is played with bags of personality by the brilliant Nathan Bartman, he’s cheeky and big-hearted with more than enough warm energy to fill the stage. Prince Tamino (Jacob Lang) is his more earnest foil, and the choreography sends them both in easy arcs, lilting and circling across the stage as they set off to find Princess Pamina (Faith Prendergast). Multitalented soprano Donna Lennard, meanwhile, swaps between roles, as comfortable landing the leaping notes of the Queen of the Night’s famous Der Hölle Rache aria, as she is dancing or making winking asides to the audience.
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